Guided Tours

Printmaking in Scotland

Date: 3 & 4 February 2017

Time: 10am-4pm

Price: £8-£35

To book tickets, please click here.

The Scottish Society for Art History, in conjunction with Edinburgh Printmakers, The National Galleries of Scotland and The University of St Andrews, is proud to present Printmaking in Scotland, a two-day symposium exploring printmaking in Scotland from the eighteenth-century to the present day.

The main purpose of the symposium is to share current research and scholarship on printmaking in Scotland. The first day of this two-day event will be held at Edinburgh Printmakers on Friday 3rd February. There will be presentations, studio tours, practical printmaking demonstrations, artist talks, and a breakout session for speakers and delegates.

The symposium's second day will take place on Saturday 4th February at the Scottish National Gallery. A range of multi-disciplinary papers will be presented by a variety of different speakers, from academics and independent researchers, to curators and archivists, and practising contemporary artists.


 The programme at Edinburgh Printmakers on Friday 3rd is as follows:

10.00 - Welcome
The Printmaking Workshop
10.05 - Alastair Clark, Master Printer and Studio Director.
A tour of Edinburgh Printmakers studio as an example of printmaking workshops in Scotland and more globally. He will illustrate printmaking practise through a lithography print demonstration of work by Andrew MacKenzie.
11.00 - Questions
11.10 - Break
Printmaking Practitioners
11.25 -Artist Andrew MacKenzie discusses his artwork, and how introducing printmaking into his methodologies changed his artistic practice.
12.00 - Questions
Process & Possibilities
12.10 - Lesley Logue.
Curators talk on the exhibition Process & Possibilities and insight into Edinburgh Printmakers print archive.
12.45 - Questions
13.00 -    Lunch
Printmaking in Scotland, Panel discussion
14.00 - Panel discussion concerning the history and way forward for printmaking in Scotland today.
16.00 - Finish

The programme at the Scottish National Gallery on Saturday 4th is as follows:

10.00 - Welcome
Early Development and Training
10.05 - Ann Gunn, University of St Andrews.
'Five Hundred and Forty-two Copperplates': Andrew Bell's illustrations for the Encylopedia Britannica 1771-1797
10.25 - Jonathan Macdonald.
Printmaking at the Foulis Academy (1775-1773)
10.45 - Questions
Scottishness and Politics
11.00 - Dr Lucinda Lax, Scottish National Portrait Gallery.
'The Bonnie Prince in Print: Sir Robert Strange, Allan Ramsay, and the origins of the 'Everso Missus' portrait
11.20 - Mary Modeen and Nel Whiting, University of Dundee.
'Groups of the manners in Scotland: David Allan - The Process and Politics of Printmaking
11.40 - Murdo Macdonald, University of Dundee.
Printmaking and Scottish Literature in the Nineteenth Century
12.00 - Questions
12.15 - Lunch
Print Collecting
13.45 - Arthur Watson, Royal Scottish Academy of Art and Architecture.
Print, Press and Cabinet
14.05 - Dr William Rough, University of St Andrews
Print Collecting in Dundee: Orchar, Haden and the Dundee Fine Art Exhibitions 1879-1881
14.25 - Questions
Process
14.40 - David Faithfull, Visual Artist.
PALINDROME, REFLECTIONS IN THE SCOTTISH LANDSCAPE: Their physical and spiritual manifestations in printmaking process and concept, with particular focus on David Young Cameron's 'Ben Ledi'
15.00 - Dr Lesley Logue, University of East London.
A Study of the Role of the Master Printmaker at Edinburgh Printmakers
15.20 - Dr Ruth Pelzer-Montada, Edinburgh College of Art, University of Edinburgh.
Leaving the Frame: Print in Contemporary Scottish Art 
15.40 - Questions
16.00 - Finish

 

 

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